Quote:She is a 1965 British Metrocolor film made by Hammer Film Productions. When the immortal Ayesha (Ursula Andress), who is also known as "She-Who-Waits" and "She-Who-Must-Be-Obeyed." It was directed by Robert Day and stars Ursula Andress, Peter Cushing, Bernard Cribbins, John Richardson, Rosenda Monteros and Christopher Lee. The film was an international success and led to a 1968 sequel, The Vengeance of She, with Olinka Berova in the title role.

She (1965)

Quote:She is a 1965 British Metrocolor film made by Hammer Film Productions. When the immortal Ayesha (Ursula Andress), who is also known as "She-Who-Waits" and "She-Who-Must-Be-Obeyed." It was directed by Robert Day and stars Ursula Andress, Peter Cushing, Bernard Cribbins, John Richardson, Rosenda Monteros and Christopher Lee. The film was an international success and led to a 1968 sequel, The Vengeance of She, with Olinka Berova in the title role.

She has waited 2000 years for her lover to be reborn - the lover dead by her own hand! Luscious Ursula Andress stars in H. Rider Haggard's classic tale of an ageless love goddess, ruler of a magnificent lost mountain realm, who discovers the reincarnation of her beloved in a handsome English adventurer (John Richardson). Promising riches and her seductive self, she lures him through countless perils into the Desert of Lost Souls, the Mountains of the Moon and a pillar of fire that grants eternal life. Famed horror team Peter Cushing and Christopher Lee co-star in this imaginative story of danger and desire.




https://www.youtube.com/watch?v=6SlfYpVhgag

Tonight!! After my daughter goes to bed she hates my old movie habit!

Quote:The Twelve Chairs is a 1970 American comedy film directed by Mel Brooks and starring Frank Langella, Ron Moody, and Dom DeLuise. The screenplay was written by Brooks. The film was one of at least 18 film adaptations of the Russian 1928 novel The Twelve Chairs by Ilf and Petrov.

Quote:Corruption is a 1968 British horror film directed by Robert Hartford-Davis, from a screenplay by Derek Ford and Donald Ford, and featuring Peter Cushing, Sue Lloyd, Noel Trevarthen, Kate O'Mara, David Lodge and Antony Booth.[1]

The film is a loose riff on the plot of the 1960 French horror film Eyes Without a Face, and is notable for its atypical contemporary setting (most of Cushing's Gothic Horror films were set in the past) and its extreme (for the time) gore and violence

Quote:Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert.

The film is known for its violence, provocative gender roles, and eminently quotable "dialogue to shame Raymond Chandler".[4] It is also remembered for the performance of star Tura Satana, whose character Richard Corliss called "the most honest, maybe the one honest, portrayal in the Meyer canon".[5] Faster, Pussycat! was a commercial and critical failure upon its initial release, but it has since become widely regarded as an important and influential film

Quote:The Innocents is a 1961 British psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own stage play—also titled The Innocents—as a primary source text. Its plot follows a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed.

Archibald's original screenplay for The Innocents was based on the premise that the paranormal events depicted were legitimate. Displeased with Archibald's take on the material, director Jack Clayton appointed American writer Truman Capote to rework the script. Capote's rewrites incorporated psychological themes, resulting in a final work that suggests other alternatives to the plot. Filming took place partly on location at the Gothic mansion of Sheffield Park in Sussex, with additional shoots occurring at Shepperton Studios in Surrey. Shot in CinemaScope, The Innocents incorporated bold minimal lighting as well as deep focus, employed by cinematographer Freddie Francis to achieve a distinctive—and sometimes claustrophobic—atmosphere. The film also pioneered the use of synthesised electronic sound created by Daphne Oram.[6]

The Innocents received international distribution from the American film studio 20th Century Fox, and received its London premiere on 24 November 1961. It was released in the United States the following month on 15 December in Los Angeles and Christmas Day in New York City. The psychological underpinnings of the film's screenplay have resulted in it being the subject of numerous critical and scholarly essays, particularly in the area of film theory. Of the various film adaptations of James's work, The Innocents has received the most critical debate. It was selected by The Guardian as one of the 25 best horror films ever made.

Quote:The Whip and the Body (Italian: La frusta e il corpo) is a 1963 gothic horror film directed by Mario Bava under the alias "John M. Old". The film is about Kurt Menliff (Christopher Lee) who is ostracized by his father for his relationship with a servant girl and her eventual suicide. He later returns to reclaim his title and his former fiancée Nevenka (Daliah Lavi) who is now his brother's wife. Menliff is later found murdered, but the locals believe his ghost has returned to haunt the castle for revenge.

Italian censors removed the film from cinemas due to its sadomasochistic themes. The international cut features some significant changes, and runs for 77 minutes. It was released theatrically as What! and Night is the Phantom in the United States and United Kingdom, respectively.

Quote:Asylum (also known as House of Crazies in subsequent US releases) is a 1972 British horror film made by Amicus Productions.[1] The film was directed by Roy Ward Baker, produced by Milton Subotsky, and scripted by Robert Bloch (who adapted four of his own short stories for the screenplay).[2]

Baker had considerable experience as a director of horror films as he had tackled Quatermass and The Pit, and Scars of Dracula. Robert Bloch, who wrote the script for Asylum based on a series of his own short stories, was also the author of the novel Psycho, which Alfred Hitchcock directed as a film.

It is a horror anthology film, one of several produced by Amicus during the 1960s and 1970s. Others were Dr. Terror's House of Horrors, Torture Garden, Tales from the Crypt, The House That Dripped Blood, The Vault of Horror, and From Beyond the Grave.

Shot in April 1972, the film was edited and set for release 15 weeks after the final day of shooting, premièring in July 1972 in the UK. The film had its North American début on 17 November 1972.

Quote:Frankenstein: The True Story is a 1973 British and American made-for-television horror film loosely based on the novel Frankenstein by Mary Shelley. It was directed by Jack Smight, and the screenplay was written by novelist Christopher Isherwood and his longtime partner Don Bachardy.

The film stars Leonard Whiting as Victor Frankenstein, Jane Seymour as Prima, David McCallum as Henry Clerval, James Mason as Dr Polidori and Michael Sarrazin as the Creature. James Mason's wife, Clarissa Kaye-Mason also appeared in the film.

Asylum (1972)

Quote:Asylum (also known as House of Crazies in subsequent US releases) is a 1972 British horror film made by Amicus Productions.[1] The film was directed by Roy Ward Baker, produced by Milton Subotsky, and scripted by Robert Bloch (who adapted four of his own short stories for the screenplay).[2]

Baker had considerable experience as a director of horror films as he had tackled Quatermass and The Pit, and Scars of Dracula. Robert Bloch, who wrote the script for Asylum based on a series of his own short stories, was also the author of the novel Psycho, which Alfred Hitchcock directed as a film.

It is a horror anthology film, one of several produced by Amicus during the 1960s and 1970s. Others were Dr. Terror's House of Horrors, Torture Garden, Tales from the Crypt, The House That Dripped Blood, The Vault of Horror, and From Beyond the Grave.

Shot in April 1972, the film was edited and set for release 15 weeks after the final day of shooting, premièring in July 1972 in the UK. The film had its North American début on 17 November 1972.

When Dr. Martin (Robert Powell) goes on a job interview at a British insane asylum, he learns that he must interview the asylum's inmates in order to be considered for the position. Dr. Rutherford (Patrick Magee), who is wheelchair-bound because of an assault by an inmate, tells Dr. Martin that he will consider him for the position if he can discover which of the inmates is Dr. Starr, a former head doctor at the asylum who suffered a nervous breakdown.




https://www.youtube.com/watch?v=1xQVO0DdNIc